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Reina Sofía Highlights10 Must-See Masterpieces

Madrid, Spain
60 minutes9 highlights

Last updated Dec 4 2025

Experience the soul of Spanish modernism in 60 minutes. This guide explores the Reina Sofía’s essential masterpieces, from Picasso’s tragic "Guernica" to the dreamscapes of Dalí and Miró. Discover the revolutionary art that defined a tumultuous century.

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10 Famous Paintings

Mujer en azul (Woman in Blue) by Pablo Picasso
1

Mujer en azul (Woman in Blue)

Pablo Picasso

Date: 1901
Style: Blue Period
Origin: Madrid, Spain
Sabatini Building, Floor 2, Room 201.02

Painted in 1901 during his Blue Period, this melancholic portrait captures profound isolation. A woman sits wrapped in cold blue tones, reflecting the 20-year-old Picasso’s grief over a friend’s death. It marks the beginning of his journey to becoming the 20th century’s most influential artist.

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Tertulia (The Gathering) by Ángeles Santos
2

Tertulia (The Gathering)

Ángeles Santos

Date: 1929
Style: Surrealism
Origin: Valladolid, Spain
Sabatini Building, Floor 2, Room 203.02

A haunting masterpiece by 18-year-old prodigy Ángeles Santos (1929). Mysterious, ghost-like figures gather in a dreamlike space, suspended between reality and fantasy. This unsettling work captures the intellectual atmosphere of 1920s Spain with a unique, surrealist vision that stunned the art world.

La bouteille d'anis (The Anis Bottle) by Juan Gris
3

La bouteille d'anis (The Anis Bottle)

Juan Gris

Date: 1914
Style: Cubism
Origin: Paris, France
Sabatini Building, Floor 2, Room 204.01

Agrit’s 1914 Cubist work breaks reality into geometric planes with mathematical precision. An anis bottle, newspaper, and guitar are reassembled in a balanced composition. Unlike Picasso’s intuitive style, Gris treated Cubism as "flat, colored architecture," blending his Madrid roots with Parisian avant-garde discipline.

Cartes et dés (Cards and Dice) by Georges Braque
4

Cartes et dés (Cards and Dice)

Georges Braque

Date: 1914
Style: Cubism
Origin: Paris, France
Sabatini Building, Floor 2, Room 204.01

A 1914 still life by the co-inventor of Cubism. Braque fragments a café scene—floating cards and dice—into overlapping planes of brown and gray. His analytical approach creates a complex sense of space, incorporating everyday objects to revolutionize how we perceive form on canvas.

Un mundo (A World) by Ángeles Santos
5

Un mundo (A World)

Ángeles Santos

Date: 1929
Style: Surrealism
Origin: Valladolid, Spain
Sabatini Building, Floor 2, Room 205.06

This monumental 1929 canvas depicts a surreal, apocalyptic planet. Painted when Santos was just 18, it is filled with strange figures and desolate landscapes. Combining childlike directness with deep anxiety, it remains a visionary masterpiece of the Spanish avant-garde, predating many famous Surrealist themes.

Mujer con abanico (Woman with a Fan) by María Blanchard
6

Mujer con abanico (Woman with a Fan)

María Blanchard

Date: 1916
Style: Cubism
Origin: Paris, France
Sabatini Building, Floor 2, Room 205.11

Blanchard’s 1916 portrait humanizes Cubism. She fragments the woman’s form into geometric planes but retains emotion and warmth. A key figure in Paris, Blanchard overcame physical disability and prejudice to create a unique, lyrical style that bridges structural rigor with deep sensitivity.

Visage du Grand Masturbateur (Face of the Great Masturbator) by Salvador Dalí
7

Visage du Grand Masturbateur (Face of the Great Masturbator)

Salvador Dalí

Date: 1929
Style: Surrealism
Origin: Paris, France
Sabatini Building, Floor 2, Room 205.13

Dalí’s 1929 Surrealist breakthrough. A melting, grotesque head—part self-portrait, part rock formation—is consumed by ants and irrational symbols. Painted during his affair with Gala, it is a disturbing, hallucinatory exploration of sexual anxiety and the unconscious, rendered with photographic precision.

Femme et chien devant la lune (Woman and Dog in Front of the Moon) by Joan Miró
8

Femme et chien devant la lune (Woman and Dog in Front of the Moon)

Joan Miró

Date: 1936
Style: Abstract Surrealism
Origin: Barcelona, Spain
Sabatini Building, Floor 2, Room 205.14

Painted in 1936 as civil war loomed, this work features Miró’s poetic, biomorphic forms. A simplified woman and dog float against a dark void. Miró used this playful but profound language to transcend political turmoil, creating a universal, dreamlike universe vibrant with color.

Guernica by Pablo Picasso
9

Guernica

Pablo Picasso

Date: 1937
Style: Cubism / Surrealism
Origin: Paris, France
Sabatini Building, Floor 2, Room 205.10

The 20th century’s most powerful anti-war statement (1937). Picasso painted this massive monochrome canvas to protest the bombing of a Basque town. The screaming figures, dying horse, and shattered forms create a timeless, agonizing cry against the violence and suffering of war.

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