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National Gallery Highlights10 Must-See Masterpieces

London, United Kingdom
60 minutes10 highlights

Last updated Dec 4 2025

Discover 700 years of art history in 60 minutes. This guide extracts the absolute essential masterpieces from the National Gallery's vast collection. From the secrets of the Arnolfini Portrait to the radiance of Van Gogh's Sunflowers, experience the paintings that defined Western art.

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10 Famous Paintings

The Arnolfini Portrait by Jan van Eyck
1

The Arnolfini Portrait

Jan van Eyck

Date: 1434
Style: Renaissance
Origin: Bruges, Belgium
Sainsbury Wing, Level 2, Room 56

This 1434 masterpiece is a miracle of oil painting. Van Eyck captures every texture—fur, brass, glass—with microscopic detail. The convex mirror reflects the entire room and two witnesses, while the single candle and dog symbolize faith and fidelity. complexity. It remains one of art history’s most analyzed and debated images.

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The Virgin of the Rocks by Leonardo da Vinci
2

The Virgin of the Rocks

Leonardo da Vinci

Date: c. 1491–1508
Style: High Renaissance
Origin: Milan, Italy
Sainsbury Wing, Level 2, Room 51

Leonardo’s mysterious vision (c. 1491-1508) places holy figures in a dark, fantastic grotto. He uses smoky shadows (sfumato) to soften outlines, creating a dreamlike atmosphere. The scientific precision of the geological formations reveals his dual genius as artist and scientist. It is a masterpiece of atmospheric perspective.

The Ambassadors by Hans Holbein the Younger
3

The Ambassadors

Hans Holbein the Younger

Date: 1533
Style: Renaissance
Origin: London, UK
Main Building, Level 2, Room 4

A portrait of power and mortality. Two wealthy diplomats stand amidst objects of learning, but a distorted shape slashes across the bottom. Viewed from the side, it resolves into a skull—a hidden "memento mori" reminding us that death haunts even the most successful lives.

The Toilet of Venus ('The Rokeby Venus') by Diego Velázquez
4

The Toilet of Venus ('The Rokeby Venus')

Diego Velázquez

Date: 1647–1651
Style: Baroque
Origin: Spain
Main Building, Level 2, Room 30

Velázquez’s only surviving female nude (1647-51) was painted for a private collection, as such images were forbidden in Spain. Venus turns her back to us, her face visible only as a blur in the mirror held by Cupid. It explores the nature of looking and desire with lush, loose brushwork.

The Supper at Emmaus by Caravaggio
5

The Supper at Emmaus

Caravaggio

Date: 1601
Style: Baroque
Origin: Rome, Italy
Main Building, Level 2, Room 32

Caravaggio brings spiritual drama down to earth. Painted in 1601, it captures the shock of disciples recognizing the risen Christ. The theatrical lighting and ordinary details—a torn sleeve, a basket teetering on the edge—make the divine moment feel intensely, forcefully real.

The Hay Wain by John Constable
6

The Hay Wain

John Constable

Date: 1821
Style: Romanticism
Origin: Suffolk, UK
Main Building, Level 2, Room 34

Constable’s 1821 landscape changed art by finding majesty in a simple English farm scene. He refused to idealize, painting the clouds and changing weather with scientific accuracy. Its fresh naturalism stunned French artists and paved the way for Impressionism.

The Fighting Temeraire by J. M. W. Turner
7

The Fighting Temeraire

J. M. W. Turner

Date: 1838
Style: Romanticism
Origin: London, UK
Main Building, Level 2, Room 34

Britain’s favorite painting. A ghostly war hero of the age of sail is towed to its doom by a dark, modern steam tug. Turner sets the scene against a blazing sunset, creating a poignant elegy for a lost era. It dissolves form into pure light and color, anticipating modern abstraction.

Bathers at Asnières by Georges Seurat
8

Bathers at Asnières

Georges Seurat

Date: 1884
Style: Post-Impressionism
Origin: Paris, France
Main Building, Level 2, Room 44

Seurat applied science to leisure in this monumental 1884 scene. Using precise dots of color (Pointillism), he froze working-class Parisians in a silent, shimmering haze. The factory smokestacks in the background hint at the modern industrial world these bathers are escaping.

Sunflowers by Vincent van Gogh
9

Sunflowers

Vincent van Gogh

Date: 1888
Style: Post-Impressionism
Origin: Arles, France
Main Building, Level 2, Room 43

Van Gogh painted these radiating blooms (1888) as a welcome gift for Gauguin. Using thick impasto and varying yellows, he turned a simple still life into an explosion of emotion and vitality. They symbolize friendship, gratitude, and the life force itself.

Water-Lilies by Claude Monet
10

Water-Lilies

Claude Monet

Date: After 1916
Style: Impressionism
Origin: Giverny, France
Main Building, Level 2, Room 41

In his final years, Monet immersed himself in his garden pond. This large canvas (post-1916) eliminates the horizon, plunging the viewer into a floating world of reflection and color. It is a meditation on nature that pushes Impressionism toward pure abstraction.

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